...de L'Ile du Loch. A short orchestral piece about a bretonic folktale of a sea witch. Recorded by the Guildhall Session Orchestra, mixed in atmos for a surround installation.
A web platform hosting a series of podcasts about the hidden stories of a Cambridge neighborhood.
Resonance SDK api used for a responsive 3D spatialisation of sounds captured in Cornwall
A continuous piece of audio co-created from layers made out of students work, featuring works from Frankie Hewett, Taha Kagzi, Odysseas Panzatis, Emir Okmen, Eleanor Lee, and Helen Oh.
This is a demo of the piece running for a few minutes. Made with Sonic Pi.
I Apologise to the Birds reflects on the paradoxes inherent in the ways humans engage with extinction. Acts of documentation, archiving, and preservation attempt to retain traces of lost species, yet are inevitably entangled with the histories of disappearance that human actions have contributed to. Positioned between an apology and a critical reflection, the work acknowledges the ethical and representational complexities of translating absence into a sensory experience. Through the sonification of natural history records, it questions whether such gestures serve as acts of remembrance or become forms of control. It also asks whether sound can facilitate an encounter with what no longer exists, or whether it merely intensifies the distance between presence and absence. In doing so, the work contemplates how loss is mediated, felt, and ultimately remembered within contemporary artistic practice.
The piece is about how nature can heal itself when we don't interfere in its own way of work, and yet we can not refrain ourselves from doing it and lay claim on nature, which inevitably won't end up well. You can hear the animals crying and running around in fear in the piece as things get worse.
This piece invites listeners into the life of a fish, drifting through an underwater realm untouched by human hands. Beneath the surface lies a world scarcely understood by humans, where time flows at its own rhythm. Through the use of various water-like sounds and woodwinds, the music evokes the quiet yet diverse existence of underwater life. It is a journey between stillness and vitality, a reminder of the mystery and beauty found in world beyond our reach.
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A short orchestral piece about a bretonic folktale of a sea witch. Recorded by the Guildhall Session Orchestra, mixed in atmos for a surround installation. Expanded into a responsive site using the architecture of Resonance Choir.
Adapting Resonance choir with sounds captured in Cornwal, as part of the REVIVE project.
Online platform featuring a demo of enhanced podcasts showcasing local heritage of a Cambridge district, the Kite.
A continuous piece of audio co-created from layers made out of students work, featuring works from Frankie Hewett, Taha Kagzi, Odysseas Panzatis, Emir Okmen, Eleanor Lee, and Helen Oh.
This is a demo of the piece running for a few minutes. Made with Sonic Pi.
"Call Me" controlling - what it takes for a singer to feel comfortable with using voice cloning creatively
As seen in Podnews, this study is currently looking for participants